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Justine Clenquet’s genderless jewellery is for everyone, but in the beginning, it was made solely with herself and her friends in mind. “I couldn’t find jewellery that I wanted to wear,” she tells Vogue from her atelier in Lille, France, where she’s from. “It was so difficult to find great, affordable jewellery.”
After more than a decade of running her eponymous jewellery brand, she’s accomplished her mission: every piece is distinctly personal, made using recycled materials (often from previous collections) to keep the costs down and ensure that her practices are responsible. Another USP? Where possible, everything is local. Lille has been her basecamp from the outset and always will be, but she has a team in Paris, too. “It’s very important for me to keep [the jewellery] homemade in France, to keep the good quality,” she explains.
Nearby flea markets are where she’s found her most precious gems over the years, and she still regularly visits in search of inspiration. As well as incorporating found treasures into her collections, Clenquet nods to ’80s and ’90s cinema, underground culture, fanzines and punk – she reveals she’s a “big fan” of director Gregg Araki and Sonic Youth (the inimitable Kim Gordon is her “muse”).
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